F.K. Waechter, F.K. Waechter (Ill.)
Christian Schünemann
Tomi Ungerer, Tomi Ungerer (Ill.)
Doris Dörrie
Martin Suter
Alfred A. Häsler
Walter Nigg
Urs Widmer
Walter Nigg
Sibylle Mulot
Urs Widmer
Maria Elisabeth Straub
Tatjana Hauptmann, Christian Strich (Hg.), Tatjana Hauptmann (Ill.)
Johannes Carstensen, Tatjana Hauptmann
Sibylle Mulot
Tomi Ungerer, Tomi Ungerer (Ill.)
Slawomir Mrozek, Chaval (Ill.)
Slawomir Mrozek, Chaval (Ill.)
Friedrich Dürrenmatt
Walter Nigg
Hansjörg Schneider
Urs Widmer
Hans Werner Kettenbach
Hartmut Lange
Tomi Ungerer, Tomi Ungerer (Ill.)
Friedrich Dürrenmatt
Friedrich Dürrenmatt
Bernhard Schlink
Hans Werner Kettenbach
John Vermeulen
Leon de Winter
Tomi Ungerer, Tomi Ungerer (Ill.)
Leon de Winter
John Vermeulen
Donna Leon
Donna Leon
Donna Leon
Magdalen Nabb
Magdalen Nabb
Magdalen Nabb
Anthony McCarten
Magdalen Nabb
Patricia Highsmith, Paul Ingendaay (Hg.)
Ludwig Marcuse
Hartmut Lange
F.K. Waechter, F.K. Waechter (Ill.)
F.K. Waechter, F.K. Waechter (Ill.)
Friedrich Dürrenmatt
Urs Widmer
Christian Schünemann
Hugo Loetscher
Slawomir Mrozek
Friedrich Dönhoff
Christian Schünemann
F.K. Waechter, F.K. Waechter (Ill.)
Urs Widmer
Ingrid Noll
Luis Murschetz
Jakob Arjouni
Friedrich Dürrenmatt
Tatjana Hauptmann, Theodor Storm, Tatjana Hauptmann (Ill.)
F.K. Waechter, F.K. Waechter (Ill.)
Martin Suter
Martin Suter
Tilman Spreckelsen
Doris Dörrie
Friedrich Dürrenmatt
Friedrich Dürrenmatt
Friedrich Dürrenmatt
Friedrich Dürrenmatt, Peter Rüedi, Urs Widmer
Slawomir Mrozek
Viktorija Tokarjewa
Hugo Loetscher
Friedrich Dürrenmatt
F.K. Waechter, F.K. Waechter (Ill.)
Christoph Poschenrieder
Friedrich Dürrenmatt
Walter Nigg
Martin Suter
Hartmut Lange
Friedrich Dürrenmatt
Bernhard Schlink
Hartmut Lange
Hugo Loetscher
Viktorija Tokarjewa
Tomi Ungerer, Tomi Ungerer (Ill.)
Ingrid Noll
Hugo Loetscher
Hartmut Lange
Tomi Ungerer
Viktorija Tokarjewa
Tomi Ungerer, Tomi Ungerer (Ill.)
Martin Suter
Friedrich Dürrenmatt
Sibylle Mulot
Hugo Loetscher
Friedrich Dürrenmatt
Slawomir Mrozek
F.K. Waechter, F.K. Waechter (Ill.)
Jean-Jacques Sempé, Patrick Süskind
Slawomir Mrozek
Bernhard Schlink
Ingrid Noll
Bernhard Schlink
Erich Hackl
Tomi Ungerer, Tomi Ungerer (Ill.)
Alfred Andersch
Hans Werner Kettenbach
Hugo Loetscher
Friedrich Dürrenmatt
Bernd Eilert, F.K. Waechter, F.K. Waechter (Ill.)
F.K. Waechter
Friedrich Dürrenmatt
Friedrich Dürrenmatt
F.K. Waechter
Alfred Andersch
Hans Werner Kettenbach
Tatjana Hauptmann, Urs Widmer, Tatjana Hauptmann (Ill.)
F.K. Waechter, F.K. Waechter (Ill.)
Ingrid Noll
Lukas Hartmann
Christian Schünemann
Walter Heinrich
Patrick Süskind
Luis Murschetz
Sibylle Mulot
Sibylle Mulot
Tatjana Hauptmann, Franz Kafka, Tatjana Hauptmann (Ill.)
Christoph Poschenrieder
Friedrich Dürrenmatt
Walter Muschg, Julian Schütt (Hg.), Winfried Stephan (Hg.)
Uwe Timm, Tatjana Hauptmann (Ill.)
Paul Flora, Paul Flora (Ill.)
Andrej Kurkow
Donna Leon
Donna Leon
Patrick Süskind
Donna Leon
Peter Rüedi
Schopenhauer would be only too pleased to see philosophers and writers reacting to his ideas – to see Hegel giving up his throne, and the elderly Goethe paying tribute to him, a mere 30 year old. But publication of his groundbreaking work has been delayed. And so Schopenhauer leaves Dresden for Italy in the late summer of 1818 without his book in his suitcase – he is still a nobody. Even before he arrives he attracts the attention of Metternich’s secret police: Goethe’s note recommending him to Lord Byron – a man with a wide reputation as a poet and as a figure of scandal – casts suspicion on Schopenhauer and makes him unwelcome in Austrian-occupied Veneto. But once he gets to Venice, Schopenhauer refuses to be driven out – and certainly not after he meets Teresa. For Teresa shows the young philosopher that he still needs to rethink one point in his world view: his idea of love. ›The World in the Head‹ is sold to: Flammarion (France) Rosenkilde (Denmark) Saída de Emergencia (Portugal) Mondadori (Italy)
»The author’s admiration for the philosopher shines through on every page, and the novel will be unrivalled in opening the fascinating world of Schopenhauer’s thought to a general audience, just as Daniel Kehlmann did for Humboldt in ›Measuring the World‹.«New Books in German
»An intelligent book.«Literaturkurier.de
»›The World in the Head‹ truly deserves to be called a passionate debut. Christoph Poschenrieder not only shows a remarkable feel for language but also a sense for irony and joy in his story-telling.«buchjournal
»With an intuitive sense of the past, Christoph Poschenrieder succeeds not only in portraying Schopenhauer in love but also depicts a lively panorama of an era torn between Restoration and the desire for freedom.«Magazin in München
»Christoph Poschenrieder’s debut negotiates the delicate line between historical fact and literary fiction, and does so in a convincing and gripping manner. His debut is an inspiring journey through philosophy and art.«Ostthüringer Zeitung
»As well as simply a splendid portrait of an exciting epoch, this novel delivers a refined love story replete with secret agents, the Venetian Carnival, and a dog. Whosoever is ready to cast aside clichés of Schopenhauer the philosopher as misogynist and pessimist, will glean much pleasure from this intelligent book.«literaturkurier.de
»Poschenrieder has succeeded in breathing life into a potentially unwieldy subject.«Rheinische Post
»The charm of this book lies in the author’s ability to be inspired by Schopenhauer’s real life and to make the bare facts pulsate with life – he makes the reader curious to re-discover one of the great minds of German philosophy. No mean feat: a startling debut novel.«Augsburger Allgemeine
»Poschenrieder’s sensitive and lively imagination draws us into a torrent of poetry and truth, a whirlpool of quotes, allusions, and events that create a panoramic view of the time with a twist of the grotesque. A wonderfully intelligent, exciting, masterfully composed book, one that is a sensual delight to read. A flawless good read for the initiated.«Landshuter Zeitung
»Never have we experienced the presumed pessimist in this light. Here is an unexpected Schopenhauer, a world away from the pessimistic, bad-tempered cliché. Poschenrieder describes it all from a delicately ironic slant in incredibly finely crafted language that brings a vivacity and relish to the historical facts.«hr-online